Pablo Pakula
  • Home
  • About
  • Performance
    • Performance (intro)
    • UNPRECEDENTED
    • a necrology: REQUIEM - DONA EIS - PROBASTI ME - TINTINABULATION - DELINEATUM EST
    • Thy light, thy flight
    • ALL TOMORROW'S TOMORROWS
    • ALL WITHIN A COLLAPSING BUILDING (a septet for the apocalypse)
    • BARLOVENTO y SOTAVENTO (un réquiem refugiado)
    • 20 x 20, swings x roundabouts
    • ANGELUS: Angels de Beer
    • YES NO BLACK WHITE
    • RAVE vs RAGE
    • Bride of Brexit
    • UNNEGATIVE
    • Masculine Expressions of my Creative Prowess >
      • About this project
    • No More These Sounds
    • HEAVY LIGHT
    • Lines and lines and lines and lines...
    • Now You Can Go
    • COLLABORATIONS
    • VIDEO PIECES
    • LAND PIECES
    • MAIL PIECES
  • Pedagogy
    • Pedagogy (intro)
    • GALERA PERFORMA
    • Stomping Ground!
    • Live Art for the Green Heart
  • Producing & hosting
    • Producing & hosting (intro)
    • Deep Trash Escoria
    • Theatre, Interactivity, Democracy
    • Pot Luck
    • Lifting the Curtain: On Audience and Authorship
    • Lifting the Curtain: Theatre Research @ Kent
    • Grotowski: After-Alongside-Around-Ahead
  • Publication
  • CONTACT

A little bit more about this project...

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Masculine Expressions of my Creative Prowess resolutely occupies the here-and-now moment in performance. Whether in a shared glance, in a verbal exchange, or in a joint dance, it seeks a closeness with its audience. It is porous, leaving gaps for improvised input or participation. It invites a sense of risk.
Using live art vocabularies, the project is primarily image-based. Though text is used, it's sparse. Instead, notions of corporeality and materiality become strategies to go beyond discursive language. Personal stories, poetic lists, songs and sampled sounds/speeches are juxtaposed with dance-like moments, sculptural actions, audience interaction, and the ritualistically charged use of totemic objects.
Picture
Picture
Though partly autobiographical, I’m resisting that label because the project approaches its subject from a broader, more associative angle. It explores the plurality hidden beneath the monolithic notion of ‘masculinity’, addressing the interplay between conventionally oppositional concepts: hard/soft, tender/brutal, humorous/serious, truthful/deceitful, plaintive/celebratory, masculine/feminine...
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  • Home
  • About
  • Performance
    • Performance (intro)
    • UNPRECEDENTED
    • a necrology: REQUIEM - DONA EIS - PROBASTI ME - TINTINABULATION - DELINEATUM EST
    • Thy light, thy flight
    • ALL TOMORROW'S TOMORROWS
    • ALL WITHIN A COLLAPSING BUILDING (a septet for the apocalypse)
    • BARLOVENTO y SOTAVENTO (un réquiem refugiado)
    • 20 x 20, swings x roundabouts
    • ANGELUS: Angels de Beer
    • YES NO BLACK WHITE
    • RAVE vs RAGE
    • Bride of Brexit
    • UNNEGATIVE
    • Masculine Expressions of my Creative Prowess >
      • About this project
    • No More These Sounds
    • HEAVY LIGHT
    • Lines and lines and lines and lines...
    • Now You Can Go
    • COLLABORATIONS
    • VIDEO PIECES
    • LAND PIECES
    • MAIL PIECES
  • Pedagogy
    • Pedagogy (intro)
    • GALERA PERFORMA
    • Stomping Ground!
    • Live Art for the Green Heart
  • Producing & hosting
    • Producing & hosting (intro)
    • Deep Trash Escoria
    • Theatre, Interactivity, Democracy
    • Pot Luck
    • Lifting the Curtain: On Audience and Authorship
    • Lifting the Curtain: Theatre Research @ Kent
    • Grotowski: After-Alongside-Around-Ahead
  • Publication
  • CONTACT